Golshifteh to Le Figaro: My country is full of contradictions
In her recent interview with Madame - a magazine supplement to the French newspaper Le Figaro, covering fashion and feminist topics - Golshifteh Farahani says she decided to leave Iran the day the Iranian Ministry of Islamic Guidance banned her from leaving Iran to audition for a film in London: "Iranian authorities did not like my acting in the Ridley Scott's Body of Lies. I was condemned for not wearing Hijab on the screen and being part of an American production." She used the first opportunity to escape, taking advantage of a loophole in Iran's border control system.
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Golshifteh was born in 1983, in the midst of Iran-Iraq war, into a family of intellectuals bohemians. That day, her father was unable to hold her in his arms because he was on the run from Iran's secret police: "My father was originally an opponent of the Shah before he became an opponent of the Ayatollah."
Golshifteh's father is an actor and director. Her mother is a painter who studied fine arts in Strasbourg. Her parents left Iran in 1978 but returned as soon as Shah's regime fell, to catch the short-lived "taste of freedom." Golshifteh remembers things changed: "You learn to cope with situations. On surface you pray and do not drink alcohol or listen to rock music, but in reality my brothers and I threw many parties! If the police intervened, we had a choice between receiving punitive lashes and being fined. So we paid the fine!"
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"My country is full of contradictions"
Golshifteh likes to talk about paradoxes and subtleties of everyday life in Iran: "If you wanted to swim naked, you entered the water fully dressed and then undressed once you are submerged. I've done that a hundred times. I just needed a friend to bring me dry clothes... And Hijab? Just wear it but it does not hide all the hair. It also sometimes falls! It is a traditional costume for many women like me who are not believers. I know it is difficult to understand. My country is full of contradictions. The Iranian government finances a film and at the last minute, bans its release! I could have stayed but I would not have been allowed to work the way I wanted. When a regime asks an actress to hide her hair and body, I think she should leave."
Golshifteh tries on dresses at Gucci and Valentino. In her country, Golshifteh was a star. "She was Iran's Liz Taylor," says her friend, director Marjane Satrapi, who also recruited Golshifteh for Satrapi's film Chicken with Plums.
Farahani says exile is like black hole: "It is to lose everything, like a small death!" Carrying her huge traveling bag, Golshifteh says in a sweet Farsi accent, and a serious and radical look: "I am still a nomad on the run from temporary home to temporary home, just luxurious ones." When she is in Paris, she lives with her friend writer Jean-Claude Carrière - screenwriter of Atiq Rahimi's film "The Patience Stone." She was recently in Kurdistan for a film shoot, and will soon fly to Rome and then to Los Angeles to work on a theater project (see link here). "The exile can not be all bad: I recreated a family of friends in every city!" Golshifteh says.
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